{"id":3704,"date":"2022-06-02T20:43:10","date_gmt":"2022-06-02T18:43:10","guid":{"rendered":"https:\/\/2022.festivalm3.cz\/?page_id=3704"},"modified":"2022-09-25T14:42:06","modified_gmt":"2022-09-25T12:42:06","slug":"elias-dolejsi","status":"publish","type":"page","link":"https:\/\/2022.festivalm3.cz\/elias-dolejsi\/","title":{"rendered":"Eli\u00e1\u0161 Dolej\u0161\u00ed"},"content":{"rendered":"\t\t
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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\ten<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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N\u00e1dra\u017e\u00ed Praha - \u0158eporyje\u200b<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t<\/rect><\/rect><\/use><\/pattern><\/use><\/pattern><\/image><\/image><\/defs><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Budova n\u00e1dra\u017e\u00ed poch\u00e1z\u00ed z roku 1878. V sou\u010dasn\u00e9 dob\u011b ji\u017e neslou\u017e\u00ed p\u016fvodn\u00edmu \u00fa\u010delu, st\u00e1le ale v sob\u011b uchov\u00e1v\u00e1 p\u016fvodn\u00ed provozn\u00ed artefakty \u2013 n\u00e1dra\u017en\u00ed pokladnu, vn\u011bj\u0161\u00ed kryt\u00e9 n\u00e1stupi\u0161t\u011b s dochovan\u00fdmi d\u0159ev\u011bn\u00fdmi prvky. V prvn\u00edm pat\u0159e jsou patrn\u00e9 stavebn\u00ed \u00fapravy z doby, kdy prostory slou\u017eily k soukrom\u00e9mu bydlen\u00ed. V sou\u010dasn\u00e9 dob\u011b budova \u010dek\u00e1 na rekonstrukci a nalezen\u00ed nov\u00e9ho smyslupln\u00e9ho vyu\u017eit\u00ed.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ELI\u00c1\u0160 DOLEJ\u0160\u00cd (*1982, Praha) studoval v\u00a0letech 2003\u20132004 na Fakult\u011b um\u011bn\u00ed Ostravsk\u00e9 univerzity (ateli\u00e9r M.\u00a0Kotrby) a v\u00a0letech 2007\u20132013 na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r socha\u0159stv\u00ed II, J.\u00a0Zeithamml); roku 2009 absolvoval st\u00e1\u017e v\u00a0ateli\u00e9ru hostuj\u00edc\u00edho um\u011blce J. Merty. V\u00fdb\u011br ze samostatn\u00fdch v\u00fdstav: Zrcadlen\u00ed, Nau Gallery, Praha, 2015; Nap\u0159ed uho\u0159et (s\u00a0I. Pinkavou), Galerie v\u00fdtvarn\u00fdch um\u011bn\u00ed, Ostrava, 2018; Promluva, Synagoga na Palmovce, Praha, 2019; \u010cek\u00e1n\u00ed, Galerie D\u016fm, Broumov, 2021; Oby\u010dejn\u00e9 my\u0161lenky, Pragovka Gallery, Praha, 2021. Z\u00a0ned\u00e1vn\u00fdch \u00fa\u010dast\u00ed na spole\u010dn\u00fdch v\u00fdstav\u00e1ch p\u0159ipome\u0148me nap\u0159.: Artikl \u2013 Sedm let s\u00a0um\u011bn\u00edm, GASK, Kutn\u00e1 Hora, 2020; Morfologie, Kabinet T., Zl\u00edn, 2020; Re_Form \/ Sonda do sou\u010dasn\u00e9ho \u010desk\u00e9ho socha\u0159stv\u00ed, Trafo Gallery, Praha, 2020; Kl\u00e1\u0161tern\u00ed zahrada 2021, Broumov.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\twww.works.io\/elias-dolejsi<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Eli\u00e1\u0161 Dolej\u0161\u00ed\u200b
\nBled\u011b modr\u00e9 pokryt\u00ed<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Eli\u00e1\u0161e Dolej\u0161\u00edho zaj\u00edmaj\u00ed v\u00fdtvarn\u00e9 mo\u017enosti zprost\u0159edkov\u00e1n\u00ed synt\u00e9zy z\u00e1kladn\u00edch princip\u016f odli\u0161n\u00fdch duchovn\u00edch syst\u00e9m\u016f, inspiraci nach\u00e1z\u00ed \u010dasto v textech Mircea Eliadeho. Sv\u00fdmi pracemi se sna\u017e\u00ed navodit div\u00e1ck\u00fd vjem zakou\u0161en\u00ed posv\u00e1tn\u00e9ho. Objekty a instalace vytv\u00e1\u0159\u00ed z nalezen\u00fdch materi\u00e1l\u016f, pracuje s v\u011bdom\u00edm do\u010dasnosti hmotn\u00e9 reality, pou\u017e\u00edv\u00e1 v\u00fdraz intenzity a k\u0159ehkosti, nap\u011bt\u00ed a odhmotn\u011bn\u00ed, prostorov\u00e9 plasticity barev. Prac\u00ed Bled\u011b modr\u00e9 pokryt\u00ed realizovanou na kryt\u00e9 \u010d\u00e1sti n\u00e1stupi\u0161t\u011b \u0159eporyjsk\u00e9 n\u00e1dra\u017en\u00ed budovy navazuje na instalaci vytvo\u0159enou pro broumovskou Galerii D\u016fm v roce 2021. Ta nesla n\u00e1zev \u010cek\u00e1n\u00ed a umoc\u0148ovala sv\u011bteln\u00fd charakter prostoru, navodila mo\u017enost pro\u017eitku tenze momentu p\u0159\u00edtomnosti a sou\u010dasn\u011b klidu odevzdanosti. Sest\u00e1vala ze souboru \u201esatelit\u016f\u201c ze d\u0159eva a pap\u00edru zav\u011b\u0161en\u00fdch u stropu, z hlin\u00edkov\u00fdch miskovit\u00fdch tvar\u016f na podlaze asociuj\u00edc\u00edch dlan\u011b v gestu p\u0159ij\u00edm\u00e1n\u00ed, a sv\u011bteln\u00fdch box\u016f komponovan\u00fdch symetricky s okny prot\u011bj\u0161\u00ed st\u011bny prostoru. Odst\u00edn modr\u00e9 barvy n\u00e1stropn\u00edch objekt\u016f odkazoval k autorov\u011b n\u00e1v\u0161t\u011bv\u011b kaple Scrovegni\u016f v Padov\u011b s Giottov\u00fdmi freskami z po\u010d\u00e1tku 14. stolet\u00ed. Tak\u00e9 v instalaci pro \u0159eporyjskou n\u00e1dra\u017en\u00ed budovu pracuje Eli\u00e1\u0161 Dolej\u0161\u00ed s poetikou nebesky modr\u00fdch \u201esatelit\u016f\u201c. Sou\u010dasn\u011b odkazuje k dne\u0161n\u00ed realit\u011b satelit\u016f um\u00edst\u011bn\u00fdch na ob\u011b\u017en\u00e9 dr\u00e1ze Zem\u011b (mj. orbit\u00e1ln\u00ed konstelace Starlink spole\u010dnost\u00ed Elona Muska). Bled\u011b modr\u00e9 pokryt\u00ed vytv\u00e1\u0159\u00ed pomyslnou polaritn\u00ed dvojici se zam\u00fd\u0161lenou (ale nerealizovanou) instalac\u00ed ve vyho\u0159el\u00e9 stavb\u011b na prot\u011bj\u0161\u00ed stran\u011b n\u00e1dra\u017en\u00edho koleji\u0161t\u011b (v sou\u010dasn\u00e9 dob\u011b \u010dekaj\u00edc\u00ed na rekonstrukci). M\u011bla zt\u011bles\u0148ovat v\u00fdznamy rozpadu, mizen\u00ed. St\u00e1vaj\u00edc\u00ed instalace mj. koresponduje s p\u0159edstavou atmosf\u00e9ry n\u00e1dra\u017e\u00ed z dob jeho \u017eiv\u00e9ho provozu.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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