{"id":3399,"date":"2022-05-15T19:33:39","date_gmt":"2022-05-15T17:33:39","guid":{"rendered":"https:\/\/2022.festivalm3.cz\/?page_id=3399"},"modified":"2022-09-17T18:44:40","modified_gmt":"2022-09-17T16:44:40","slug":"epos-257","status":"publish","type":"page","link":"https:\/\/2022.festivalm3.cz\/epos-257\/","title":{"rendered":"Epos 257, Albert \u0160turma, Martin Neto\u010dn\u00fd"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\ten<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

N\u00e1dra\u017e\u00ed Praha - Zli\u010d\u00edn\u200b<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t<\/rect><\/rect><\/use><\/pattern><\/use><\/pattern><\/image><\/image><\/defs><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Historie n\u00e1dra\u017en\u00ed budovy Praha-Zli\u010d\u00edn sah\u00e1 do roku 1872. Byla vybudov\u00e1na na trati naz\u00fdvan\u00e9 Pra\u017esk\u00fd Semmering (Praha- -Sm\u00edchov \u2013 Hostivice), tvo\u0159\u00edc\u00ed v\u00fdjime\u010dn\u00fd architektonick\u00fd i krajinn\u00fd celek. Jeho nejzn\u00e1m\u011bj\u0161\u00edm \u010dl\u00e1nkem je historick\u00fd viadukt p\u0159es Hlubo\u010depsk\u00e9 \u00fadol\u00ed. Pra\u017esk\u00fd Semmering je sou\u010d\u00e1st\u00ed slavn\u00e9 Bu\u0161t\u011bhradsk\u00e9 dr\u00e1hy, jej\u00ed\u017e p\u016fvod sah\u00e1 k po\u010d\u00e1tk\u016fm \u017eeleznice v \u010cech\u00e1ch. Okol\u00ed n\u00e1dra\u017e\u00ed Praha-Zli\u010d\u00edn tvo\u0159\u00ed r\u016fznorod\u00e1 sestava: tramvajov\u00e1 smy\u010dka S\u00eddli\u0161t\u011b \u0158epy, men\u0161\u00ed rybn\u00edk, masivn\u00ed betonov\u00e1 ze\u010f skladov\u00e9ho are\u00e1lu, ob\u0159\u00ed brownfield, drobn\u00e9 domky-k\u016flny s kv\u011btinov\u00fdmi zahr\u00e1dkami, p\u0159edev\u0161\u00edm ale brut\u00e1ln\u00ed modern\u00ed v\u00fdstavba.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

EPOS 257 (*198?, Praha) Od 13ti let d\u011blal graffiti. Byl \u010dlenem seskupen\u00ed Ztohoven. U\u017e nekrade a nehul\u00ed d\u017eointy, ale sem tam si n\u011bco vyp\u016fj\u010d\u00ed, zni\u010d\u00ed nebo zabav\u00ed a st\u00e1le taguje. Je absolventem UMPRUM a dokon\u010duje doktor\u00e1t na AVU. Zab\u00fdv\u00e1 se p\u0159edev\u0161\u00edm um\u011bleckou reflex\u00ed problematick\u00fdch t\u00e9mat vyu\u017e\u00edv\u00e1n\u00ed ve\u0159ejn\u00e9ho prostoru. V jeho sou\u010dasn\u00fdch prac\u00edch se \u010dasto m\u00eds\u00ed \u017eivelnost a drzost pouli\u010dn\u00ed sc\u00e9ny s hloubavost\u00ed a komplexnost\u00ed kriticky uva\u017euj\u00edc\u00edho autora. \/ www.epos257.com<\/p>

ALBERT \u0160TURMA (*1981, Praha) je botanik a k\u0159ovin\u00e1\u0159. Jeho \u017eivotn\u00edm mentorem i pr\u016fvodcem je Honza Nedv\u011bd, kter\u00fd o tom ale nev\u00ed. Nekriticky zbo\u017e\u0148uje sliz ve form\u011b ha\u0161\u00e9, bordel a krajinn\u00e9 gordick\u00e9 uzly, kter\u00e9 nem\u00e1 cenu rozt\u00ednat. Jako \u010dert k\u0159\u00ed\u017ee se vyh\u00fdb\u00e1 z\u00e1chodk\u016fm, a kdy\u017e to jde, mo\u010d\u00ed do k\u0159ov\u00ed. Dlouhodob\u011b pracuje s pocitem beznad\u011bje v pr\u016fm\u011brn\u00e9m k\u0159ov\u00ed, s odcizen\u00edm od prap\u016fvodn\u00ed jednoty \u010dlov\u011bka a igelitu a s teor\u00e9mem mastn\u00e9ho m\u00ed\u010dku. Ke k\u0159ovina\u0159en\u00ed vede \u2013 se st\u0159\u00eddav\u00fdm \u00fasp\u011bchem \u2013 i ostatn\u00ed, v\u010detn\u011b vlastn\u00edch d\u011bt\u00ed, a proto se s\u00e1m naz\u00fdv\u00e1 \u201eStrauchf\u0171hrer\u201d.<\/p>

MARTIN NETO\u010cN\u00dd (*1995) se ve voln\u00e9 tvorb\u011b zab\u00fdv\u00e1 dekonstrukc\u00ed sd\u00edlen\u00fdch historick\u00fdch narativ\u016f, vizu\u00e1ln\u00ed anal\u00fdzou kulturn\u00ed krajiny a vztahovou estetikou ve\u0159ejn\u00e9ho prostoru. R\u00e1d se tedy pohybuje na hran\u011b rigidn\u00edch a\u00a0organick\u00fdch struktur pr\u016fmyslov\u00e9 spole\u010dnosti. Ve v\u0161ech sf\u00e9r\u00e1ch z\u00e1jmu uplat\u0148uje p\u0159\u00edstup vych\u00e1zej\u00edc\u00ed jak ze\u00a0statick\u00e9ho, tak i pohybliv\u00e9ho technick\u00e9ho obrazu. Vlastn\u00ed je mu tak\u00e9 pr\u00e1ce s teoretick\u00fdm textem. Vystudoval Katedru fotografie na FAMU.<\/p>

\u00a0<\/em><\/p>

Epos 257, Jan Albert \u0160turma, Martin Neto\u010dn\u00fd<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Epos 257
\nAlbert \u0160turma, Martin Neto\u010dn\u00fd<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

V\u00fdzkum toho, co toto okol\u00ed nen\u00ed a co co nebude neznamenat; kudy vede hranice m\u011bsta.<\/p>

Na\u0161e do\u010dasn\u00e1 v\u00fdzkumn\u00e1 stanice m\u00e1 striktn\u00ed \u0159\u00e1d a chyst\u00e1 se pro v\u00fdzkumn\u00e9 \u00fa\u010dely zneu\u017e\u00edt ve\u0159ejnost. Budeme podnikat obsedantn\u011b-observa\u010dn\u00ed v\u00fdpravy do \u0161ir\u0161\u00edho okol\u00ed. Jsme v\u00fdzkumn\u00e1 skupina, kter\u00e1 si k b\u00e1d\u00e1n\u00ed bude pr\u016fb\u011b\u017en\u011b zv\u00e1t dal\u0161\u00ed sp\u0159\u00edzn\u011bn\u00e9 pr\u016fzkumn\u00edky.<\/p>

a) nep\u0159\u00edsn\u00e1 anal\u00fdza sou\u010dasn\u00e9ho stavu<\/p>

Lokalita prost\u00e1 spekt\u00e1klu pln\u00e1 neprostupn\u00fdch n\u00e1letov\u00fdch porost\u016f le\u017e\u00ed ladem a pokukuje po obrodn\u00fdch procesech, kter\u00e9 kone\u010dn\u011b osvobod\u00ed jej\u00ed d\u0159\u00edmaj\u00edc\u00ed kapit\u00e1lov\u00fd potenci\u00e1l. Industri\u00e1ln\u00ed \u00e9\u0159e odzvonilo a stejn\u011b tak i nedalek\u00e9 vag\u00f3nce. \u00dazem\u00ed o tis\u00edc\u00edch metrech \u010dtvere\u010dn\u00edch je u\u017e n\u011bkolik let rozparcelov\u00e1no pojmy jako reziden\u010dn\u00ed are\u00e1l a velkorys\u00fd priv\u00e1tn\u00ed park. Mezit\u00edm, co se nik\u00fdm ne\u0161lecht\u011bn\u00e1 vegetace bujn\u011b mno\u017e\u00ed a propl\u00e9t\u00e1 nap\u0159\u00ed\u010d sv\u011btem developersk\u00fdch z\u00e1m\u011br\u016f, rozprod\u00e1v\u00e1 se jedna z pl\u00e1novan\u00fdch p\u011bti set dvaceti \u0161esti bytov\u00fdch jednotek za druhou. Na sv\u00e9 si p\u0159ece p\u0159ijdou singles, mlad\u00e9 p\u00e1ry i rodiny s d\u011btmi. A i kdyby to nakonec byli jen spekulanti, hranice mezi chaosem a \u0159\u00e1dem bude u\u017e jednou prov\u017edy nastavena. Tam, kde je dnes \u00fa\u010del skryt, objev\u00ed se jasn\u011bji, ne\u017e jsme si kdy dok\u00e1zali p\u0159edstavit. U\u017e ideov\u011b ra\u0161\u00ed betonov\u00fd ubytov\u00e1vac\u00ed kv\u011bt s do\u010dasn\u00fdm pozl\u00e1tkem luxusu, se skv\u011bl\u00fdmi n\u00e1kupy a fitness 24\/7. Pro p\u0159\u00ed\u0161t\u00ed generace!<\/p>

b) manifest m\u00edsto \u00favodu do t\u00e9matu<\/p>

U\u017e nebudeme m\u00edt d\u016fvod pt\u00e1t se: \u201eJak se to tady jmenuje?\u201c Budeme to c\u00edtit jako danost zabalenou v odpo\u010dinku i aktivn\u00ed relaxaci, ob\u010dansk\u00e9 vybavenosti a dopravn\u00ed dostupnosti. Jako mastn\u00fd donut, p\u0159ipraven\u00fd ke konzumaci.<\/p>

Dnes v\u0161ak takov\u00e9 ot\u00e1zky je\u0161t\u011b kl\u00e1st m\u016f\u017eeme, nap\u0159\u00edklad pod k\u016fru strom\u016f. Zb\u00fdv\u00e1 n\u00e1m na to n\u011bkolik posledn\u00edch m\u011bs\u00edc\u016f, mo\u017en\u00e1 let. Pak se \u00fazem\u00ed za hranic\u00ed nedalek\u00e9ho s\u00eddli\u0161t\u011b prom\u011bn\u00ed z otazn\u00edku na \u00fadern\u00e9 konstatov\u00e1n\u00ed. Vstoup\u00ed do n\u011bj jasn\u00e1 struktura ne nepodobn\u00e1 t\u00e9, kterou bychom na\u0161li p\u0159i sledov\u00e1n\u00ed vektoru sm\u011b\u0159uj\u00edc\u00edho do st\u0159edu m\u011bsta. Centralizovat znamen\u00e1 \u010dlenit, a tedy i v\u0161t\u011bpovat \u00fa\u010del. N\u00e1s \u00fa\u010del nezaj\u00edm\u00e1. Zaj\u00edm\u00e1 n\u00e1s jeho hranice s t\u00edm, co neum\u00ed kolektivn\u00ed racionalita obs\u00e1hnout.<\/p>

Jsme\u00a0 \"\" !<\/p>

c) striktn\u011b a spr\u00e1vn\u011b nedodr\u017eovan\u00e1 metodika<\/p>

Omot\u00e1v\u00e1me se lokalitou prostou spekt\u00e1klu. V l\u016fn\u011b p\u0159\u00edrody zachycujeme sv\u00e9 \u00fady do osidel svla\u010dc\u016f a n\u00e1letov\u00fdch porost\u016f. Oscilujeme mezi t\u0159tinou k\u0159ovi\u0161tn\u00ed rozvibrovanou v\u011btrem. Zan\u00e1\u0161\u00edme do krajiny nahodil\u00e9 domn\u011bnky o tom, kde kon\u010d\u00ed a za\u010d\u00edn\u00e1 m\u011bsto d\u0159\u00edv, ne\u017e n\u00e1m to prozrad\u00ed estetika digit\u00e1ln\u00edho renderu. Zakl\u00e1d\u00e1me \u0161pinav\u00e9 ohn\u011b v m\u00edstech, kde brzy zahara\u0161\u00ed stavebn\u00ed m\u00edcha\u010dka a kovov\u00e9 vzp\u011bry budou nav\u017edy p\u0159ekryty betonem. Na\u0161i v\u00fdzkumnou labilitu v neposledn\u00ed \u0159ad\u011b tak\u00e9 indexujeme, archivujeme a dokumentujeme pro z\u00e1vdavek budouc\u00edm \u010das\u016fm, kdy m\u00edsto dostane n\u00e1zev a roz\u010dlen\u00ed jej ulice a pl\u00e1cky, kter\u00e9 budou rovn\u011b\u017e z\u0159eteln\u011b pojmenov\u00e1ny.<\/p>

Mus\u00edme to (p)opravit!<\/p>

Jsme\u00a0 \"\" !<\/p>

Epos 257, Jan Albert \u0160turma, Martin Neto\u010dn\u00fd<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t