{"id":3389,"date":"2022-05-15T19:28:13","date_gmt":"2022-05-15T17:28:13","guid":{"rendered":"https:\/\/2022.festivalm3.cz\/?page_id=3389"},"modified":"2022-09-25T14:58:19","modified_gmt":"2022-09-25T12:58:19","slug":"matej-al-ali","status":"publish","type":"page","link":"https:\/\/2022.festivalm3.cz\/matej-al-ali\/","title":{"rendered":"Matej Al-Ali"},"content":{"rendered":"\t\t
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N\u00e1dra\u017e\u00ed Kladno<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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N\u00e1dra\u017e\u00ed bylo zalo\u017eeno v roce 1855 v r\u00e1mci provozu tehdej\u0161\u00ed Bu\u0161t\u011bhradsk\u00e9 dr\u00e1hy. V z\u00e1v\u011bru druh\u00e9 sv\u011btov\u00e9 v\u00e1lky bylo po\u0161kozeno p\u0159i americk\u00e9m n\u00e1letu. V sou\u010dasn\u00e9 dob\u011b prob\u00edh\u00e1 rekonstrukce stanice, a to v souvislosti s budov\u00e1n\u00edm rychlodr\u00e1hy Praha \u2013 Leti\u0161t\u011b V\u00e1clava Havla \u2013 Kladno.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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MATEJ AL\u2013ALI (*1985, Bardejov, Slovensko) studoval v\u00a0letech 2005\u20132010 na \u00dastavu um\u011bn\u00ed a\u00a0designu Z\u010cU v\u00a0Plzni (obor Multimedi\u00e1ln\u00ed design, ateli\u00e9r Prostorov\u00e9 tvorby, A. Matasov\u00e1) a v\u00a0letech 2011\u20132014 na pra\u017esk\u00e9 Vysok\u00e9 \u0161kole um\u011bleckopr\u016fmyslov\u00e9 (ateli\u00e9r Intermedi\u00e1ln\u00ed konfrontace, J. David). Absolvoval n\u011bkolik zahrani\u010dn\u00ed st\u00e1\u017e\u00ed a\u00a0reziden\u010dn\u00edch pobyt\u016f, nap\u0159. Sommerakademie (D. Maurer), Plauen, N\u011bmecko, 2008; TEI of Athens, Ath\u00e9ny, \u0158ecko, 2009; K.A.I.R., Ko\u0161ice, 2014; Villa Arson, Nice, Francie, 2016. V\u00fdb\u011br ze samostatn\u00fdch v\u00fdstav:\u00a0Nechme to na\u00a0potom, Meetfactory, Praha, 2010;\u00a0Situace 14 \u2013 P\u0159\u00edjemn\u00e1 v\u00fdpl\u0148, Galerie Pavilon, Praha, 2011;\u00a0V\u0161ichni za jednoho, Galerie 207, Praha, 2012;\u00a0Open Call, Weltecho, Chemnitz, N\u011bmecko, 2013;\u00a0Protiv\u00e1ha, galerie etc, Praha, 2014;\u00a0Hmotn\u00fd z\u00e1jem, Galerie Lauby, Ostrava, 2016;\u00a0Trajektorie vid\u011bn\u00ed, Gal\u00e9ria Plusm\u00ednusnula, \u017dilina, 2017;\u00a0Besti\u00e1\u0159, Galerie Proluka, Praha, 2018;\u00a0Z\u00a0rotuj\u00edc\u00edho hlediska, Galerie Jedna Dva T\u0159i, Praha, 2019.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\twww.alali.cz<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Matej Al-Ali
\nCo bylo, co bude<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hmota, element\u00e1rn\u00ed z\u00e1kon, \u010dlov\u011bk a ve\u0159ejn\u00fd prostor jsou pomysln\u00e9 body vymezuj\u00edc\u00ed obsahov\u00fd r\u00e1mec um\u011bleck\u00fdch prac\u00ed Mateje Al-Ali. Z hlediska m\u00e9di\u00ed v n\u011bm p\u0159eva\u017euj\u00ed objekty, instalace, fotografie, video, performance. P\u0159i bli\u017e\u0161\u00edm pr\u016fzkumu v\u00fdznamov\u00fdch rovin nach\u00e1z\u00edme n\u011bkolik t\u00e9mat: vztah hmoty a procesu a jejich ment\u00e1ln\u00ed reflexe, mo\u017enosti p\u0159enosu mechaniky jednoduch\u00fdch fyzik\u00e1ln\u00edch z\u00e1konitost\u00ed do prostoru skupinov\u00e9 vztahovosti, demonstrace princip\u016f lidsk\u00e9ho my\u0161len\u00ed\/kon\u00e1n\u00ed zalo\u017een\u00e9ho na element\u00e1rn\u00edch mechanismech, hry s materi\u00e1lem, absurdity hmoty, materi\u00e1lov\u00e9 z\u00e1m\u011bny nebo nap\u0159\u00edklad kritick\u00e1 reflexe p\u016fsoben\u00ed technick\u00fdch obraz\u016f. Matej Al-Ali \u2013 inspirov\u00e1n tez\u00ed Jana Gehla \u201eN\u011bco se d\u011bje, proto\u017ee se n\u011bco d\u011bje, proto\u017ee se n\u011bco d\u011bje.\u201c \u2013 otev\u00edr\u00e1 ve\u0159ejn\u00fd prostor ke spole\u010dn\u00fdm aktivit\u00e1m, zaj\u00edm\u00e1 jej \u017eivost procesu neust\u00e1l\u00e9 prom\u011bny. Sou\u010dasn\u011b ale tematizuje ne\u00faprosnost plynut\u00ed \u010dasu, nebo\u0165 ka\u017ed\u00fd hmotn\u00fd p\u0159edm\u011bt sp\u011bje k z\u00e1niku\/transformaci, a mnohdy teprve tento fin\u00e1ln\u00ed moment probud\u00ed na\u0161i pozornost. V kinetick\u00e9 instalaci pro kladensk\u00e9 n\u00e1dra\u017e\u00ed pracuje s formou \u017eelezn\u00e9ho sto\u017e\u00e1ru: \u201eSto\u017e\u00e1r, na kter\u00fd jsme zapomn\u011bli. St\u00e1le tam je, ale ji\u017e jej nevn\u00edm\u00e1me. Jako \u010das, kter\u00fd n\u00e1m plyne, ub\u00edh\u00e1. Co bylo a co bude? A co je pr\u00e1v\u011b te\u010f? Stoj\u00edm na vlakov\u00e9 stanici a v bra\u0161n\u011b m\u00e1m v\u011bci minul\u00e9 a mysl\u00edm na v\u011bci budouc\u00ed. Zastavit se neznamen\u00e1 nutn\u011b rezignaci. Sp\u00ed\u0161e nabrat dech a koncentrovat se.\u201c A do vnit\u0159ku sto\u017e\u00e1ru zabudov\u00e1v\u00e1 mechanismus k pomal\u00e9mu obru\u0161ov\u00e1n\u00ed p\u00edskovcov\u00e9ho bloku: \u201eTyto p\u0159es\u00fdpac\u00ed hodiny odkazuj\u00ed na \u010das str\u00e1ven\u00fd p\u0159\u00edtomn\u00fd, a p\u0159itom sledujeme p\u0159es\u00fdp\u00e1n\u00ed minul\u00e9ho v budouc\u00ed. Z jednoho stavu do druh\u00e9ho, ub\u00edhaj\u00edc\u00ed \u010das. Ub\u00edhaj\u00edc\u00ed ka\u017ed\u00fdm zrnkem a ka\u017ed\u00fdm atomem.\u201c (MA-A, 2021)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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