{"id":3376,"date":"2022-05-15T19:22:56","date_gmt":"2022-05-15T17:22:56","guid":{"rendered":"https:\/\/2022.festivalm3.cz\/?page_id=3376"},"modified":"2022-09-17T18:35:54","modified_gmt":"2022-09-17T16:35:54","slug":"lloyd-dunn","status":"publish","type":"page","link":"https:\/\/2022.festivalm3.cz\/lloyd-dunn\/","title":{"rendered":"Lloyd Dunn"},"content":{"rendered":"\t\t
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Masarykovo n\u00e1dra\u017e\u00ed<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Budovy n\u00e1dra\u017e\u00ed poch\u00e1zej\u00ed z let 1844\u20131845. Jde o prvn\u00ed n\u00e1dra\u017e\u00ed parostrojn\u00ed \u017eeleznice v Praze. Od poloviny 20. stolet\u00ed se opakovan\u011b uva\u017eovalo o jeho zru\u0161en\u00ed kv\u016fli prostorov\u00fdm n\u00e1rok\u016fm povrchov\u00e9 dopravy. Dnes je zam\u00fd\u0161leno jako kone\u010dn\u00e1 stanice p\u0159ipravovan\u00e9ho \u017eelezni\u010dn\u00edho spojen\u00ed na Leti\u0161t\u011b V\u00e1clava Havla a d\u00e1le do Kladna. V m\u00edst\u011b n\u011bkdej\u0161\u00edch slu\u017eebn\u011b technick\u00fdch prostor n\u00e1dra\u017e\u00ed je v sou\u010dasn\u00e9 dob\u011b budov\u00e1n administrativn\u011b obchodn\u00ed komplex dle n\u00e1vrhu Zahy Hadid.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LLOYD DUNN (*1957, Iowa) vystudoval University of Iowa v USA obory multim\u00e9dia u Mel Andringy a Hanse Bredera a elektronick\u00e1 hudba u Kennetha Gaburoa. V 90. letech byl hlavn\u00edm editorem a vydavatelem glob\u00e1ln\u011b \u0161\u00ed\u0159en\u00fdch v\u00fdtvarn\u00fdch \u010dasopis\u016f PhotoStatic a Retrofuturism, kter\u00e9 jsou sou\u010d\u00e1st\u00ed \u0159ady d\u016fle\u017eit\u00fdch sb\u00edrek a archiv\u016f \u2013 nap\u0159\u00edklad Knihovny Muzea modern\u00edho um\u011bn\u00ed v New Yorku. V roce 1987 spole\u010dn\u011b s kolegy zalo\u017eil um\u011bleck\u00fd kolektiv Tape-beatles, kter\u00fd je \u0159azen k prvn\u00edm experiment\u00e1ln\u00edm skupin\u00e1m zam\u011b\u0159en\u00fdm na ot\u00e1zky du\u0161evn\u00edho vlastnictv\u00ed a autorsk\u00e1 pr\u00e1va. Tape-beatles realizovali audiovizu\u00e1ln\u00ed \u017eiv\u00e9 performance, s magnetofonov\u00fdmi p\u00e1skami a multiprojekci 16 mm filmu. Vydavatelstv\u00ed Staalplaat v Amsterdamu a Berl\u00edn\u011b a dal\u0161\u00ed hudebn\u00ed vydavatelstv\u00ed vydala soubory jejich CD disk\u016f. Od roku 2009 se Dunn v\u011bnuje sv\u00e9mu posledn\u00edmu projektu \u2013 online podcast\u016fm pod n\u00e1zvem nula.cc. Pokra\u010duje zde v pr\u016fzkumu um\u011bleck\u00fdch forem, vyu\u017e\u00edvaj\u00edc\u00edch technologie, apropriaci, kol\u00e1\u017e, time-based media a design, a zab\u00fdv\u00e1 se ot\u00e1zkou, co znamen\u00e1 \u010dlov\u011bk jako vn\u00edmaj\u00edc\u00ed bytost. Dunn \u017eije a pracuje v Praze a ned\u00e1vno pro Radio Art Zone dokon\u010dil dvacetihodinovou zvukovou kompozici Beyond sublargo.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\twww.nula.cc<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Lloyd Dunn
\nLocomotive II<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Monot\u00f3nnost dopadaj\u00edc\u00edho de\u0161t\u011b, plynut\u00ed vody, zn\u011bn\u00ed meziplanet\u00e1rn\u00edho prostoru, cykli\u010dnost proces\u016f, mikrokosmos \u2013 makrokosmos, prostor mezi zvukem a t\u00f3nem, rytmus m\u011bsta, tu\u0161en\u00ed p\u0159\u00edb\u011bhu, zvuky slunovratu, bou\u0159e, horizont, stati\u010dnost v pohybu, j\u00edzda vlakem, zvuky n\u00e1dra\u017e\u00ed, zvon\u016f, mo\u0159e, v\u011btru, pohledy do krajiny, kontemplativn\u00ed rytmus, fragmenty film\u016f rusk\u00e9 avantgardy 20. a 30. let, imprese z cest \u2013 Maroko, Laos, Rumunsko, Ukrajina, Arm\u00e9nie, \u010c\u00edna, Alb\u00e1nie, Etiopie, Uruguay. To jsou p\u0159\u00edklady ze \u0161irok\u00e9 \u0161k\u00e1ly n\u00e1m\u011bt\u016f a v\u00fdrazov\u00fdch prvk\u016f, z jejich\u017e r\u016fznorod\u00e9ho prol\u00edn\u00e1n\u00ed a \u0159azen\u00ed Lloyd Dunn vytv\u00e1\u0159\u00ed kol\u00e1\u017ee zvukov\u00fdch, obrazov\u00fdch a textov\u00fdch prostor\u016f. Prost\u0159ednictv\u00edm fotografie, filmu, videa, audioz\u00e1znamu, eseje div\u00e1ka\/poslucha\u010de p\u0159ipout\u00e1v\u00e1 k vjemu, vede k soust\u0159ed\u011bn\u00ed, probouz\u00ed z\u00e1jem, nech\u00e1v\u00e1 jej odevzdat se, splynout s atmosf\u00e9rou, d\u011bjem. Z\u00e1klad sou\u010dasn\u00e9 instalace Locomotive poch\u00e1z\u00ed z roku 2009 a tvo\u0159\u00ed jej zvukov\u00e1 kompozice z nahr\u00e1vky parn\u00ed lokomotivy, dobov\u00fdch ter\u00e9nn\u00edch nahr\u00e1vek a inspirace principy kinematografie pou\u017e\u00edvan\u00fdmi ve star\u00fdch filmech. Forma kruhov\u00e9ho obrazu v temn\u00e9m poli zd\u016fraz\u0148uje snov\u00fd a subjektivn\u00ed charakter pr\u00e1ce, propojuj\u00edc\u00ed abstraktn\u00ed tendenci experiment\u00e1ln\u00edho filmu s narativnost\u00ed. Sou\u010dasn\u011b nese inspiraci teori\u00ed distan\u010dn\u00ed mont\u00e1\u017ee arm\u00e9nsk\u00e9ho re\u017eis\u00e9ra Artavazda Pele\u0161jana. St\u00e1vaj\u00edc\u00ed verze Locomotive byla roz\u0161\u00ed\u0159ena o nov\u00fd obrazov\u00fd materi\u00e1l a nov\u00fd zvukov\u00fd sest\u0159ih. V instalaci pro n\u00e1dra\u017en\u00ed budovu je prom\u00edt\u00e1na nep\u0159etr\u017eit\u011b ve smy\u010dce. Otev\u00edr\u00e1 prostor imaginaci pozvolna se odpout\u00e1vaj\u00edc\u00ed od reality sm\u011brem do snovosti, navozen\u00e9 monot\u00f3nnost\u00ed rytmu j\u00edzdy vlakem.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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foto: Jan Rasch<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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