{"id":3364,"date":"2022-05-15T19:09:21","date_gmt":"2022-05-15T17:09:21","guid":{"rendered":"https:\/\/2022.festivalm3.cz\/?page_id=3364"},"modified":"2022-09-25T13:50:54","modified_gmt":"2022-09-25T11:50:54","slug":"peter-cusack","status":"publish","type":"page","link":"https:\/\/2022.festivalm3.cz\/peter-cusack\/","title":{"rendered":"Peter Cusack"},"content":{"rendered":"\t\t
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N\u00e1dra\u017e\u00ed Praha-Bran\u00edk<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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N\u00e1dra\u017e\u00ed je v provozu od roku 1882. V roce 2016 prob\u011bhla jeho rekonstrukce. Stanice je mj. m\u00edstem oslav Dne \u017eeleznice, kdy je mo\u017en\u00e9 zhl\u00e9dnout historick\u00e9 vlaky s parn\u00edmi lokomotivami. Specifick\u00fd charakter n\u00e1dra\u017e\u00ed spoluvytv\u00e1\u0159\u00ed v\u00fdletn\u00ed atmosf\u00e9ra m\u00edsta i monument\u00e1ln\u00ed betonov\u00e1 klenba Branick\u00e9ho mostu nad trat\u00ed.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PETER CUSACK (*1948, Velk\u00e1 Brit\u00e1nie) \u017eije a pracuje v Lond\u00fdn\u011b a Berl\u00edn\u011b. Sb\u00edr\u00e1 zvukov\u00e9 z\u00e1znamy, je hudebn\u00edk a zvukov\u00fd um\u011blec s dlouholet\u00fdm z\u00e1jmem o zvukovou krajinu. V roce 1998 inicioval Favourite Sounds Project zab\u00fdvaj\u00edc\u00ed se lidsk\u00fdmi interakcemi se zvuky v m\u00edst\u011b, kde \u017eij\u00ed. Prob\u011bhl v r\u016fzn\u00fdch m\u011bstech po cel\u00e9m sv\u011bt\u011b, v\u010detn\u011b Lond\u00fdna, Pekingu, Prahy a Berl\u00edna. Je autorem projektu Sounds From Dangerous Places (ozna\u010dovan\u00e9ho jako zvukov\u00fd \u017eurnalismus), v n\u011bm\u017e prozkoum\u00e1v\u00e1 zvukov\u00e9 z\u00e1znamy z m\u00edst poznamenan\u00fdch ekologickou z\u00e1t\u011b\u017e\u00ed, jako ropn\u00e1 pole u pob\u0159e\u017e\u00ed Kaspick\u00e9ho mo\u0159e, okol\u00ed \u010cernobylu, Aralsk\u00e9 jezero v Kazachst\u00e1nu. V roce 2011 byl p\u0159izv\u00e1n jako host DAAD Berliner K\u00fcnstlerprogramm.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tfavouritesounds.org<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tsonic-places.dock-berlin.de\/<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Peter Cusack
\nBranick\u00e9 zvukov\u00e9 proch\u00e1zky<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Peter Cusack se zam\u011b\u0159uje na environment\u00e1ln\u00ed zvuk a akustickou ekologii; zvukov\u00e9 z\u00e1znamy po\u0159izuje v ter\u00e9nu a ve voln\u00e9 p\u0159\u00edrod\u011b. Zab\u00fdv\u00e1 se v\u00fdzkumem zvuku a na\u0161eho vn\u00edm\u00e1n\u00ed konkr\u00e9tn\u00edho m\u00edsta, realizuje dokument\u00e1rn\u00ed nahr\u00e1vky v oblastech se specifick\u00fdm zvukov\u00fdm charakterem, nap\u0159\u00edklad posti\u017een\u00fdch ekologickou katastrofou. Prost\u0159ednictv\u00edm autorsk\u00fdch nahr\u00e1vek z okol\u00ed n\u00e1dra\u017e\u00ed z\u00edsk\u00e1 n\u00e1v\u0161t\u011bvn\u00edk soubor informac\u00ed jin\u00e9ho charakteru, vhledy odli\u0161n\u00e9 od vizu\u00e1ln\u00edch obraz\u016f nebo textov\u00fdch sd\u011blen\u00ed. Zpr\u00e1va jin\u00e9ho typu p\u0159im\u011bje k vn\u00edm\u00e1n\u00ed m\u00edsta neobvykl\u00fdm zp\u016fsobem, k odli\u0161n\u00e9mu pro\u017eitku prostoru. Audioz\u00e1znamem je fixov\u00e1n konkr\u00e9tn\u00ed \u010dasov\u00fd \u00fasek, ji\u017e neexistuj\u00edc\u00ed realita, n\u00e1v\u0161t\u011bvn\u00edk si tak konkr\u00e9tn\u00ed m\u00edsto skrze z\u00e1znam ji\u017e nep\u0159\u00edtomn\u00e9ho znovu-uv\u011bdomuje \u2013 ne jako strukturu pevn\u00fdch bod\u016f, od nich\u017e se odv\u00edj\u00ed vztahovost, ale jako s\u00ed\u0165, kter\u00e1 se ustavi\u010dn\u011b d\u011bje (Miroslav Pet\u0159\u00ed\u010dek). Realita se st\u00e1v\u00e1 organismem, \u201eaktu\u00e1ln\u00ed entitou\u201c \u2013 jsme sou\u010d\u00e1st\u00ed organismu a \u017eijeme sou\u010dasn\u011b s n\u00edm. (Alfred North Whitehead) Tento zp\u016fsob vn\u00edm\u00e1n\u00ed v n\u00e1s probouz\u00ed roviny citlivosti, kter\u00e9 v kolob\u011bhu byt\u00ed nedost\u00e1vaj\u00ed prostor. V\u00fdb\u011br branick\u00e9ho n\u00e1dra\u017e\u00ed nen\u00ed n\u00e1hodn\u00fd. V\u00fdpravn\u00ed budova n\u00e1dra\u017e\u00ed je historicky v\u00fdznamn\u00e1, jej\u00ed um\u00edst\u011bn\u00ed mezi n\u011bkolika poetick\u00fdmi lokalitami r\u016fzn\u00e9ho charakteru je v\u00fdjime\u010dn\u00e9. Nedalek\u00e1 dominanta \u2013 budova Branick\u00e9ho pivovaru, p\u0159\u00edtomnost \u0159eky, termin\u00e1lu MHD a divok\u00e9ho k\u0159ov\u00ed, kter\u00e9 je \u00fato\u010di\u0161t\u011bm r\u016fzn\u00fdch druh\u016f ptactva. Zvukov\u00e9 vhledy Petera Cusacka inven\u010dn\u011b zprost\u0159edkov\u00e1vaj\u00ed sou\u010dasn\u00e9 i historick\u00e9 stopy, v\u010detn\u011b existence tzv. Pos\u00e1zavsk\u00e9ho pacifiku na trase z Bran\u00edku p\u0159es Vran\u00e9 nad Vltavou a \u010cer\u010dany, kter\u00fd je dodnes vypravov\u00e1n jako sv\u00e1te\u010dn\u00ed parn\u00ed vlak.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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