{"id":3351,"date":"2022-05-15T19:02:02","date_gmt":"2022-05-15T17:02:02","guid":{"rendered":"https:\/\/2022.festivalm3.cz\/?page_id=3351"},"modified":"2022-09-25T14:55:32","modified_gmt":"2022-09-25T12:55:32","slug":"erika-velicka","status":"publish","type":"page","link":"https:\/\/2022.festivalm3.cz\/erika-velicka\/","title":{"rendered":"Erika Velick\u00e1"},"content":{"rendered":"\t\t
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N\u00e1dra\u017e\u00ed Praha-Libe\u0148<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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N\u00e1dra\u017e\u00ed situovan\u00e9 na pomez\u00ed Libn\u011b a Vyso\u010dan. Stanice byla zalo\u017eena v roce 1877. Jde o frekventovan\u00fd dopravn\u00ed uzel. Sou\u010dasn\u00e1 n\u00e1dra\u017en\u00ed budova poch\u00e1z\u00ed ze 70. let, um\u00edst\u011bn\u00e1 na v\u00fdchod od p\u016fvodn\u00ed budovy siln\u011b poni\u010den\u00e9 roku 1945 p\u0159i bombardov\u00e1n\u00ed libe\u0148sk\u00fdch pr\u016fmyslov\u00fdch objekt\u016f. V bl\u00edzkosti nov\u00e9 n\u00e1dra\u017en\u00ed budovy se nach\u00e1z\u00ed kone\u010dn\u00e1 tramvajov\u00e1 zast\u00e1vka Harfa, um\u011bleck\u00e9 Studio Pr\u00e1m a v jeho t\u011bsn\u00e9m sousedstv\u00ed jsou pr\u00e1v\u011b dokon\u010dov\u00e1ny stavby agresivn\u011b p\u0159evy\u0161uj\u00edc\u00ed st\u00e1vaj\u00edc\u00ed z\u00e1stavbu.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ERIKA VELICK\u00c1 (*1992, Praha) studovala v\u00a0roce 2012 na pra\u017esk\u00e9 Vy\u0161\u0161\u00ed odborn\u00e9 \u0161kole Scholastika (ateli\u00e9r konceptu a instalace objektu, O. Brody, E. \u0160imera, P. Lys\u00e1\u010dek) a\u00a0v letech 2013\u20132019 na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (socha\u0159sk\u00e9 ateli\u00e9ry, J. Hendrych, J.\u00a0Zeithamml, L. Rittstein, V. M\u00ed\u010da; ateli\u00e9r hostuj\u00edc\u00edho pedagoga, S.\u00a0Starling); od roku 2021 pokra\u010duje v\u00a0doktorsk\u00e9m studiu na FaVU \u2013 VUT v\u00a0Brn\u011b. V\u00a0roce 2013 se z\u00fa\u010dastnila sympozia na Usedlosti Chaos. Roku 2019 absolvovala st\u00e1\u017e v\u00a0ateli\u00e9ru P. Morise v\u00a0Ath\u00e9n\u00e1ch. V\u00fdb\u011br ze spole\u010dn\u00fdch a\u00a0samostatn\u00fdch v\u00fdstav: Nekra\u010f z\u00a0m\u00fd cesty bludn\u00fd kruhy, Galerie Aspik, Praha, 2015; Ptal se v\u00edtr n\u011bkoho, GAVU, Praha, 2017; Dolej\u0161\u00ed \u2013 Kaplan \u2013 M\u00ed\u010da \u2013 Spirova \u2013 Velick\u00e1, Galerie Klatovy \/ Klenov\u00e1, 2018; thalassa \u2013 thalassa, City Surfer Office, Praha, 2019; Visiones, Behark Arkitektura, Bilbao, 2019; Strange Fruit, V\u00fdklady AXA, Praha, 2021; Socha pro komunitn\u00ed centrum, H55, Praha, 2021. V\u00a0roce 2022 p\u016fsobila jako odborn\u00e1 asistentka na AVU v\u00a0Praze (Ateli\u00e9r hostuj\u00edc\u00edho um\u011blce).<\/p>

Iva Mladi\u010dov\u00e1, Dagmar \u0160ubrtov\u00e1<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\twww.erikavelicka.com<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Erika Velick\u00e1
\nN\u00e1dra\u017e\u00ed jako osa sv\u011bta<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Erika Velick\u00e1 ve sv\u00fdch prac\u00edch \u010dasto tematizuje s\u00edlu anim\u00e1ln\u00edch archetyp\u016f, zaj\u00edm\u00e1 ji v\u00fdznam hranice \u2013 krajinn\u00e9 i soci\u00e1ln\u00ed. Kriticky reflektuje rozost\u0159enost pomez\u00ed prostoru p\u0159\u00edrodn\u00edho\/zv\u00ed\u0159ec\u00edho a soci\u00e1ln\u00edho\/lidsk\u00e9ho. Vytv\u00e1\u0159\u00ed neur\u010dit\u00fd a sou\u010dasn\u011b napjat\u00fd mezistav pln\u00fd polaritn\u00ed rozporuplnosti. Pracuje s t\u00e9maty utrpen\u00ed, hled\u00e1n\u00ed \u00faniku. Svou instalac\u00ed v prostoru n\u00e1dra\u017e\u00ed Libe\u0148 pojedn\u00e1v\u00e1 typick\u00e9 \u201enem\u00edsto\u201c, situovan\u00e9 na rozhran\u00ed pozemk\u016f v majetku Spr\u00e1vy \u017eeleznic a m\u011bsta. Toto ne-m\u00edsto evidentn\u011b slou\u017e\u00ed p\u0159ev\u00e1\u017en\u011b k rychl\u00e9mu pr\u016fchodu p\u011b\u0161inou-zkratkou nebo k ven\u010den\u00ed ps\u016f. Viditeln\u00fdm z\u00e1bradl\u00edm vymezen\u00fd p\u016fdorys \u00fazk\u00e9ho schodi\u0161t\u011b vedouc\u00edho do neur\u010dit\u00fdch sklepn\u00edch prostor, betonov\u00fd blok asi s funkc\u00ed \u201ehrani\u010dn\u00edho kamene\u201c a betonov\u00fd p\u0159\u00edst\u0159e\u0161ek spoludefinuj\u00ed dost neut\u011b\u0161enou konfiguraci v prostoru, v n\u011bm\u017e nikdo netou\u017e\u00ed pob\u00fdt ani o minutu d\u00e9le, ne\u017e je nezbytn\u011b nutn\u00e9. Autorka vytv\u00e1\u0159\u00ed sc\u00e9nu pro mo\u017en\u00e9 d\u011bje, do\u010dasn\u00e9 \u201epr\u016fse\u010d\u00edky mytologie \u010dtvrti a mytologie konkr\u00e9tn\u00ed existence\u201c. Umoc\u0148uje pocit pr\u00e1zdnosti m\u00edsta, v n\u011bm\u017e zd\u00e1nliv\u011b chyb\u00ed smysl. O to inspirativn\u011bj\u0161\u00ed m\u016f\u017ee b\u00fdt, nebo\u0165 se nach\u00e1z\u00ed jakoby mimo jak\u00fdkoliv ofici\u00e1ln\u00ed \u0159\u00e1d, m\u016f\u017ee b\u00fdt prostorem pro osobn\u00ed v\u00fdpov\u011bdi \u201e\u00fazkosti i kreativn\u00edho sn\u011bn\u00ed\u201c. M\u016f\u017ee se st\u00e1t \u201esv\u011btem d\u011btsk\u00fdch her (archetyp skr\u00fd\u0161e a labyrintu, kter\u00e9 jsou spjaty se sv\u011btem dobrodru\u017en\u00fdch kn\u00ed\u017eek a film\u016f)\u201c a tak\u00e9 \u00fato\u010di\u0161t\u011bm bezdomovc\u016f. (Michal Ajvaz) Ne-m\u00edsto \u2013 jako by pohyb v n\u011bm byl c\u00edlem, \u201em\u00edjen\u00e9 m\u00edsto\u201c, obdobn\u011b jako samotn\u00e9 n\u00e1dra\u017e\u00ed: \u201em\u00edsto, ve kter\u00e9m nem\u00e1me v\u016fli spo\u010dinout\u201c (Anna Beata H\u00e1blov\u00e1). <\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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foto: Jan Rasch<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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